Friday, 03 April

14:05

Christ on the Cross - The Crucifixion [IDLE SPECULATIONS]


Christ on the Cross (Chapter XXIV)
From Speculum humanæ salvationis
Mid 14th century
Manuscript on parchment
33,5 x 22 cm
Badische Landesbibliothek, Karlsruhe


The Speculum humanæ salvationis [The Mirror of Human Salvation was composed in the first quarter of the fourteenth century for the use of preaching monks and clerics,

It was widely used  in the late Middle Ages. 

There exist today more than 350 manuscripts in Latin and translations into Dutch, French, German, English, and Czech.

Toward the end of the fifteenth century there was hardly a library in northern Europe that did not possess an example.

The original author of the work which to remain anonymous "out of humility"

The author may have been Ludolphus of Saxony  (c. 1295 – 1378), a Dominican who later joined the Carthusian Order in 1340 and wrote the Vita christi 

Here in this narrative of the Crucifixion we see the foretelling of it in the Old Testament and in particular Nebuchadnezzar's Dream Of A Tree Cut Down in Daniel 4

7 “These were the visions I saw while in bed: I saw a tree of great height at the centre of the earth. 
8 It was large and strong, with its top touching the heavens, and it could be seen to the ends of the earth. 
9 Its leaves were beautiful, its fruit abundant, providing food for all. Under it the wild beasts found shade, in its branches the birds of the air nested; all flesh ate of it. 
10 In the vision I saw while in bed, a holy watcher  came down from heaven 
11 and cried aloud in these words:
‘Cut down the tree and lop off its branches,
strip off its leaves and scatter its fruit;
Let the beasts flee from beneath it, and the birds from its branches, 
12 but leave its stump in the earth.
Bound with iron and bronze,
let him be fed with the grass of the field
and bathed with the dew of heaven;
let his lot be with the beasts in the grass of the earth. 
13 Let his mind be changed from a human one;
let the mind of a beast be given him,
till seven years pass over him. 
14 By decree of the watchers is this proclamation,
by order of the holy ones, this sentence; 
That all who live may know
that the Most High is sovereign over human kingship,
Giving it to whom he wills,
and setting it over the lowliest of mortals.’
15 “This is the dream that I, King Nebuchadnezzar, had. Now, Belteshazzar, tell me its meaning. None of the wise men in my kingdom can tell me the meaning, but you can, because the spirit of the holy gods is in you.”

06:40

Christ leaving the praetorium [IDLE SPECULATIONS]


Gustave Doré  1832 - 1883
Le Christ quittant le prétoire  Christ leaving the praetorium
1867-1872.
Oil on panel
600 × 900 cm
Musée d'art moderne et contemporain, Strasbourg 



Gustave Doré  1832 - 1883
Le Christ quittant le prétoire   Christ leaving the praetorium
Brush and brown wash heightened with white gouache on paper
35 x 49,5 cm
Musée d'Art moderne et contemporain de la Ville de Strasbourg

He called the painting his life`s work or masterpiece

It is monumental in its scale and composition

While working on it he had to leave Paris in 1870 because of the Siege during the Franco-Prussian War and the Comune and its aftermath. Fortunately it survived

He made two other versions. One is in Nantes and the other is in South Carolina

The Museum in Strasbourg built a special room for its viewing so that it can be seen to its best effect


Unappreciated by French critics, Doré  went to London where he and his works were feted

While at the Great Exhibition, he met  George Grove  and Frederick Kill Harford (1832 - 1906) a Minor Canon of Westminster Abbey. Over dinner in Sydenham, they mused over art and the depictions of the Passion and Crucifixion

They noted that there many works on two themes: Ecce Homo, where Pilate shows a scourged Christ to the crowds only for the crowd to ask for mercy for Barabbas; and Christ carrying the Cross
"Pilate, wanting to release Jesus, addressed them again; but they kept shouting: “Crucify him, crucify him!” A third time he said to them: “Why, what evil has he done? I have found in him no ground for the sentence of death; I will therefore have him flogged and then release him”. But they kept urgently demanding with loud shouts that he should be crucified; and their voices prevailed. So Pilate gave his verdict that their demand should be granted. He released the man they asked for, the one who had been put in prison for insurrection and murder, and he handed Jesus over as they wished "(Luke 23:21-25).
"And when they had mocked him, they stripped him of the robe, and put his own clothes on him, and led him away to crucify him" (Matthew. 27:31)

But none on the theme "in between": Christ coming down from the balcony to the place where he would take up his cross

The idea appears to have  been that of Harford. The idea seems to have inflamed Doré`s  interest and imagination as he started work almost immediately and carried on for about ten years on this work

Harford appears to have advised quite substantially on the theme and the tone

Harford was also a poet, hymn writer, and amateur musician.

The temple and statue on the right were inspired by the  end of  Hanover Square in London where there is the neo classical Church of St George`s (where Handel worshipped) and before it a statue of William Pitt the Younger

He knew London well as can be seen from his book London: A Pilgrimage


Christ is the centre of the work

All lines intersect at his head

He is in white and he is illuminated and illuminates the dark scene and setting

He is the only one who is looking at the denizens who compose the mob

Pilate stands dressed in purple at the top of the stairs of the praetorium

On the stairs are Caiaphas, Ananias and Alexander and they are rejoicing

At the bottom of the stairs anguished and distraight are his mother Mary, holy women and John who is comforting Mary Magdalene

Judas is in the crowd with a horrific grin

The soldiers are pushing against the crowd. The features of the crowd show every emotion: curiosity, compassion, pain, hatred, satisfaction 

Doré`s reputation as a "preacher painter" was in the last third of his career, following his famous illustration of the Holy Bible in 1866. Soon after, he began many spectacular religious works intended for the Gallery in London he co-founded in 1867-1868, the Doré Gallery

05:35

Lamentations of Jeremiah - From Tenebrae of Good Friday [A Foretaste of Wisdom]

 
These readings would normally be read on Thursday evening, following all the liturgies of Maundy Thursday. The entire office, in both Matins and Lauds, is permeated with a sense of immense sorrow of heart, the sorrow "even unto death" which Christ felt in Gethsemane the night that He was betrayed - which is indeed tonight. The reforms of Pope Pius XII moved this service of Tenebrae to Friday morning, which is strange for a variety of reasons, but here especially because Christ's agony in the garden did not occur on the morning of the day of His death, but the night before. It was soon after the Last Supper itself. Hence it was the traditional practice to sing these offices Thursday evening, in the dark.
 
Anyhow, the readings from the book of Lamentations carry an enormous amount of material to teach of the meaning of the passion of Christ and all the mysteries which we revisit this week, which are so central to the entire faith. Jerusalem represents the people of God, who have been destroyed by sin. The prophet weeps for the sins of Jerusalem, entreating her to turn again to her God. When will this great conversion be? When will we see the new Jerusalem? When will we witness the promise of her renewal? When but at the Resurrection of Our Lord, the very seed of our own resurrection?
 
Reading 1
Lesson from the book of Lamentations
Lam 2:8-11
8 Heth. The Lord hath purposed to destroy the wall of the daughter of Sion: he hath stretched out his line, and hath not withdrawn his hand from destroying: and the bulwark hath mourned, and the wall hath been destroyed together.
9 Teth. Her gates are sunk into the ground: he hath destroyed, and broken her bars: her king and her princes are among the Gentiles: the law is no more, and her prophets have found no vision from the Lord.
10 Jod. The ancients of the daughter of Sion sit upon the ground, they have held their peace: they have sprinkled their heads with dust, they are girded with haircloth, the virgins of Jerusalem hang down their heads to the ground.
11 Caph. My eyes have failed with weeping, my bowels are troubled: my liver is poured out upon the earth, for the destruction of the daughter of my people, when the children, and the sucklings, fainted away in the streets of the city.
Jerusalem! Jerusalem! Return unto the Lord thy God.

R. All my friends have forsaken me, and mine enemies have prevailed against me; he whom I loved hath betrayed me.
* Mine enemy sharpeneth his eyes upon me; he breaketh me with breach upon breach: and in my thirst they gave me vinegar to drink.
V. I am numbered with the transgressors; and my life is not spared.
R. Mine enemy sharpeneth his eyes upon me; he breaketh me with breach upon breach; and (in my thirst) they gave me vinegar to drink.
 
Reading 2
2:12-15
12 Lamed. They said to their mothers: Where is corn and wine? when they fainted away as the wounded in the streets of the city: when they breathed out their souls in the bosoms of their mothers.
13 Mem. To what shall I compare thee? or to what shall I liken thee, O daughter of Jerusalem? to what shall I equal thee, that I may comfort thee, O virgin daughter of Sion? for great as the sea is thy destruction: who shall heal thee?
14 Nun. thy prophets have seen false and foolish things for thee: and they have not laid open thy iniquity, to excite thee to penance: but they have seen for thee false revelations and banishments.
5 Samech. All they that passed by the way have clapped their hands at thee: they have hissed, and wagged their heads at the daughter of Jerusalem, saying: Is this the city of perfect beauty, the joy of all the earth?
Jerusalem! Jerusalem! Return unto the Lord thy God.

R. The veil of the Temple was rent in twain, from the top to the bottom,
* And all the earth did quake: the thief on the cross cried, saying: Lord, remember me when Thou comest into thy kingdom!
V. The rocks rent, and the graves were opened, and many bodies of the saints, which slept, arose.
R. And all the earth did quake: the thief on the cross cried, saying: Lord, remember me when thou comest into thy kingdom.
 
Reading 3
Lam 3:1-9
1 Aleph. I am the man that see my poverty by the rod of his indignation.
2 Aleph. He hath led me, and brought me into darkness, and not into light.
3 Aleph. Only against me he hath turned, and turned again his hand all the day.
4 Beth. My skin and my flesh he hath made old, he hath broken my bones.
5 Beth. He hath built round about me, and he hath compassed me with gall and labour.
6 Beth. He hath set me in dark places as those that are dead for ever.
7 Ghimel. He hath built against me round about, that I may not get out: he hath made my fetters heavy.
8 Ghimel. Yea, and when I cry, and entreat, he hath shut out my prayer.
9 Ghimel. He hath shut up my ways with square stones, he hath turned my paths upside down
Jerusalem! Jerusalem! Return unto the Lord thy God.
 
 
R. I had planted thee a noble vineyard;
* How then art thou turned into a degenerate plant, which willest that Barabbas should be released unto thee, and that I should be crucified.
V. I fenced thee, and gathered out the stones from thee, and built a tower in the midst of the land.
R. How then art thou turned into a degenerate plant, which willest that Barabbas should be released unto thee, and that I should be crucified.
R. I had planted thee a noble vineyard; * How then art thou turned into a generate plant, which willest the Barabbas should be released unto thee, and that I should be crucified.
 

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21222324252627
28293001020304
March 2014
MonTueWedThuFriSatSun
24252627280102
03040506070809
10111213141516
17181920212223
24252627282930
31010203040506
February 2014
MonTueWedThuFriSatSun
27282930310102
03040506070809
10111213141516
17181920212223
24252627280102
January 2014
MonTueWedThuFriSatSun
30310102030405
06070809101112
13141516171819
20212223242526
27282930310102
December 2013
MonTueWedThuFriSatSun
25262728293001
02030405060708
09101112131415
16171819202122
23242526272829
30310102030405
November 2013
MonTueWedThuFriSatSun
28293031010203
04050607080910
11121314151617
18192021222324
25262728293001
October 2013
MonTueWedThuFriSatSun
30010203040506
07080910111213
14151617181920
21222324252627
28293031010203
August 2013
MonTueWedThuFriSatSun
29303101020304
05060708091011
12131415161718
19202122232425
26272829303101
July 2013
MonTueWedThuFriSatSun
01020304050607
08091011121314
15161718192021
22232425262728
29303101020304
June 2013
MonTueWedThuFriSatSun
27282930310102
03040506070809
10111213141516
17181920212223
24252627282930
May 2013
MonTueWedThuFriSatSun
29300102030405
06070809101112
13141516171819
20212223242526
27282930310102
April 2013
MonTueWedThuFriSatSun
01020304050607
08091011121314
15161718192021
22232425262728
29300102030405
March 2013
MonTueWedThuFriSatSun
25262728010203
04050607080910
11121314151617
18192021222324
25262728293031
February 2013
MonTueWedThuFriSatSun
28293031010203
04050607080910
11121314151617
18192021222324
25262728010203
January 2013
MonTueWedThuFriSatSun
31010203040506
07080910111213
14151617181920
21222324252627
28293031010203
December 2012
MonTueWedThuFriSatSun
26272829300102
03040506070809
10111213141516
17181920212223
24252627282930
31010203040506
November 2012
MonTueWedThuFriSatSun
29303101020304
05060708091011
12131415161718
19202122232425
26272829300102
October 2012
MonTueWedThuFriSatSun
01020304050607
08091011121314
15161718192021
22232425262728
29303101020304
September 2012
MonTueWedThuFriSatSun
27282930310102
03040506070809
10111213141516
17181920212223
24252627282930
June 2012
MonTueWedThuFriSatSun
28293031010203
04050607080910
11121314151617
18192021222324
25262728293001
May 2012
MonTueWedThuFriSatSun
30010203040506
07080910111213
14151617181920
21222324252627
28293031010203
March 2012
MonTueWedThuFriSatSun
27282901020304
05060708091011
12131415161718
19202122232425
26272829303101
February 2012
MonTueWedThuFriSatSun
30310102030405
06070809101112
13141516171819
20212223242526
27282901020304
December 2011
MonTueWedThuFriSatSun
28293001020304
05060708091011
12131415161718
19202122232425
26272829303101
November 2011
MonTueWedThuFriSatSun
31010203040506
07080910111213
14151617181920
21222324252627
28293001020304
July 2011
MonTueWedThuFriSatSun
27282930010203
04050607080910
11121314151617
18192021222324
25262728293031
April 2011
MonTueWedThuFriSatSun
28293031010203
04050607080910
11121314151617
18192021222324
25262728293001
March 2011
MonTueWedThuFriSatSun
28010203040506
07080910111213
14151617181920
21222324252627
28293031010203
November 2010
MonTueWedThuFriSatSun
01020304050607
08091011121314
15161718192021
22232425262728
29300102030405
August 2010
MonTueWedThuFriSatSun
26272829303101
02030405060708
09101112131415
16171819202122
23242526272829
30310102030405
June 2010
MonTueWedThuFriSatSun
31010203040506
07080910111213
14151617181920
21222324252627
28293001020304
January 2010
MonTueWedThuFriSatSun
28293031010203
04050607080910
11121314151617
18192021222324
25262728293031
December 2009
MonTueWedThuFriSatSun
30010203040506
07080910111213
14151617181920
21222324252627
28293031010203
November 2009
MonTueWedThuFriSatSun
26272829303101
02030405060708
09101112131415
16171819202122
23242526272829
30010203040506